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Unique Accidentals: 1
Unique Accidentals: 2
Unique Chords: 3-6
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Handel
Passacaglia – Handel/Halvorsen
TruuMoo
2:16 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 0 6 4 97%
Bass 20 6 1 2 100%
 
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
Händel - Lascia Ch'io Pianga, for Flute and Cello
Hyeon Kim
3:36 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
Cello Bass 20 0 2 8 89%
Flute Treble 15 0 3 11 89%
 
HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)
edward.maurath
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
Cembalo (Continuo) Treble 10 13 2 4 92%
Bass 10 6 1 5 92%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV5A1N2 "petto col fulmine del cielo"
edward.maurath
0:06 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
Violoncello (Continuo) Bass 7 0 1 2 100%
Florinda 7 0 1 5 67%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%
 
Sinfonia in G Major
edward.maurath
3:04 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 0 1 4 91%
Bass 15 0 1 4 91%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 0 1 4 91%
Bass 15 0 1 4 91%
Fagotto Bass 17 4 1 4 91%
Oboe 1 Treble 13 0 1 4 91%
Oboe 2 Treble 11 0 1 5 91%
Viole 11 0 0 4 91%
Violini 1 Treble 13 0 1 4 91%
Violini 2 Treble 16 0 1 4 91%
Violoncello Continuo Bass 15 0 1 4 91%
Contrabassi Continuo Bass 15 0 1 4 83%
Violoncelli Continuo Bass 15 0 1 4 83%
Corni G Treble 11 18 0 5 67%
Corni D Treble 11 15 1 5 35%
 
"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)
edward.maurath
2:46 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
Violoncello (Contniuo) Bass 20 0 2 10 96%
Contrabassi (Continuo) Bass 20 0 2 10 80%
Violoncelli (Continuo) Bass 20 0 2 10 80%
Violini 1 Treble 16 0 2 9 76%
Violini 2 Treble 16 0 3 8 76%
Soprano
as Mirtillo		 11 0 1 9 72%
 
HWV56N34 - Unto which of the angles said he at any time
edward.maurath
0:16 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
Cello Bass 4 0 1 1 100%
Contrabass Bass 4 0 1 1 100%
Tenor 8 0 3 4 100%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%
 
Cesare, "Non e si vago e bello" from HWV 17, (1724)
edward.maurath
4:10 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
Harpsichord Treble 20 8 6 4 100%
Bass 22 17 6 4 100%
Celli Bass 21 0 5 4 100%
Continuo Bass 21 0 5 5 100%
Kontrebaß Bass 21 0 5 4 100%
Violini Treble 14 4 1 5 90%
Cesare 14 0 3 5 79%
Violas 11 0 0 4 16%
 
Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)
edward.maurath
2:17 Est. Play
Time
64 Measures
1,288Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
Bassoon (Violas) 12 0 1 5 100%
Bassoon Continuo Bass 15 0 1 2 100%
Contrabasses Continuo Bass 15 0 1 2 100%
Oboe 1 Treble 15 7 3 6 100%
Oboe 2 Treble 15 0 3 5 100%
Violas 12 0 1 5 100%
Violins 1 Treble 15 7 3 6 100%
Violins 2 Treble 15 0 3 5 100%
Violoncellos Continuo Bass 15 0 1 2 100%
Horn A Treble 9 18 0 5 69%
Horn D Treble 9 18 2 5 69%
Basses Bass 12 1 1 4 41%
CONTRALTOS 11 0 2 3 41%
Sopranos 9 2 2 6 41%
Tenors 9 5 1 3 41%